A 64-metre dish on a fully steerable mount, rising out of the trees near a village whose name is Tolstoukhovo, meaning “thick-eared.” Set among ordinary pasture, treelines and a low river town, the instrument is simply too large for the landscape that holds it, like a piece of deep-space hardware dropped into farmland.
An underground 1950s pedestrian arcade of salmon-pink tiles, black granite columns and art-deco shopfronts that runs beneath Flinders Street, creating one of Melbourne’s most distinctive liminal and time-warp spaces.
Originally a water tower disguised as a house, this tall, isolated structure rises above the Suffolk landscape like something from a dream or Studio Ghibli film.
Permanent art installation titled ‘hi boo i love you’ by artist Simon Whybray. Bright, fully enclosed stairwell painted entirely in bubblegum pink, forming a vivid monochromatic tunnel that leads from street level, up through a multi-storey car park, to the rooftop of Frank’s Cafe in Peckham.
Four massive billboard-like troposcatter antennas, left over from the Cold War, still standing on Anvil Mountain above Nome, Alaska. Known by locals as “Nomehenge”.